Tuesday, 19 January 2010

Memories from The Tote

This weekend we had to say goodbye to an old friend. Like most of Melbourne I was shocked on Thursday to read that The Tote hotel would be closing its doors for the last time. Publican Bruce Milne put out a press release stating he could no longer afford to operate under the new liquor licensing requirements, nor could he afford the legal costs to contest these conditions. The Tote has been classified as a 'high risk' venue along with busy city nightclubs. Which is complete crap, because no one ever went to The Tote for any purpose other than to see some bands, hang out with like-minded people and soak up the atmosphere. There's a very comprehensive interview with Bruce on Mess+Noise in which he articulately lays out all the problems faced by The Tote, so I won't cover that here again. Instead I want to tell you some of my memories of The Tote.

I began learning guitar when I was 16 at Rock 'n' Roll High School on Easey St. in Collingwood. Only a couple of blocks away, The Tote was like home ground for us, hosting any number of RnRHS nights, giving many of us our first chance to play at a real venue. I first played there in 1999 with my first band Altered. Sure I was underage at the time, but my parents came along, so it was all cool. We were supporting our friends Matramuta for a gig celebrating their drummer Bridget's birthday. They were the coolest people I knew, and The Tote was the coolest place I'd ever been. We even got reviewed in Beat!

16 year old me.

Altered on stage at The Tote.

Matramuta.

Matramuta on stage at The Tote.

Rock n Roll High closed down a year or two after that, but The Tote remained our spiritual home ground. Almost every time I've been there I've run into members of Matramuta, Tuff Muff, Hecate/Litany, Tirany, Aspasia, Resistica and more. Even the odd member of Altered on some nights.

Throughout the years The Tote remained the coolest place I've ever been to. I've seen so many of my favourite bands there including True Radical Miracle, Mach Pelican, Baseball, The Assassination Collective, Bird Blobs, theredsunband, Jihad Against America, Crayon Fields, The Mad Feeling, The Toot Toot Toots, Ouch My Face, Grey Daturas and so many more that I've forgotten due to the mists of time and/or drinking too much. I've seen and done all sorts of crazy things in the front bar from building pyramids out of the glasses of stockpiled drinks bought in the last minutes of 'crusty hour', to people dancing on the pool table, to dogs hiding under it on quiet afternoons, to Tim Rogers face-planting off the couch while too drunk to stand, to always having an unexpected friend to run into.

A few years and a few bands later I played my first ever headline show at The Tote. I was in a band called Sinatra's Eyes and it was the biggest gig we'd done to date. Friday night headline at The Tote. Awesome. It was the first time we were ever called back for an encore too. Having played all our polished songs in the main set we came back on with a new song that none of us knew very well yet. Needless to say it was a glorious mess, but no-one cared. Much like The Tote itself.

The last time I played The Tote is still one of my favourite gigs ever. It was with Sinatra's Eyes again, in what turned out to be one of our final gigs (we didn't know that at the time, but we broke up a few gigs later). It was Australia Day eve, we'd recently released an EP and just got back from our first trip interstate, there was a party mood throughout the venue and we were supporting The Five Venoms, who were always a shitload of fun. It was the first time I ever fell off a stage while playing, but it's also the most fun I've ever had.



On the speaker stack, right before I jumped.

Landed on my ass, but at least I finished the song.

I went down to The Tote on Friday hoping to see the last ever Grey Daturas gig. But word had gotten around about the impending closure and by the time I arrived the gig had sold out. So instead I joined the hundreds of people in the front bar and squashed in for a beer with friends (fittingly this included members of Matramuta, Resistica and The Mad Feeling).

On Sunday I went down hoping to get in but there were even more people, so instead I joined the street party/liquor license protest out in the street. I took a few photos while I was there:

The line at 5pm






Bruce Speaks.

Monday night was last drinks at The Tote. I was lucky enough to get a ticket and headed down in the early afternoon to say goodbye to my favourite pub. An amazing lineup of bands representing The Tote's history was put together at the last minute by band booker Amanda Palmer and the night was equal parts awesome and terrible. So many great performances to celebrate The Tote and remind us why it was amazing, and so hard to believe it's gone. I only have one good arm at the moment (I fractured my shoulder on Christmas day), and I was drinking, and I only had a phone camera to take pictures with, so excuse the poor quality of some of these shots, but I was determined to capture and share as much of The Tote's final hours as I could.


Bathroom wall graffiti.

Kamikaze Trio. (Well, part of.)

Lineup. (Amended at the last minute due to an injury in The Cosmic Psychos. Spiderbait stepped in).

Bombshells.

Rain in the beer garden.

Dave Graney & The Lurid Yellow Mist.

The Nation Blue.


Dan Kelly's Dream Band.

Note on the window.

Onyas. (Now that's a man gut!)

Crowd photo 1.

Legends of Motorsport.

Beaches have a lovely collection of guitars...

and pedals.

Lance from Gembrook tells us some stories of his days working at The Tote, including the 'Taste of Lance'.

Digger & The Pussycats are two funny guys.

Spencer P. Jones joins Digger & The Pussycats for the chorus of 'You Drive Like a Cunt".

Bruce.

Bruce & Amanda.

The Stabs.

Stabs guitar in the roof of the Cobra Bar.

Down the stairs.

Precious Jules (aka Kim Salmon).

Punters in the front bar. The carpet has always been sticky, but by this stage it was hard to pull your feet up off it.

The famous jukebox.

Tote sling.

The Meanies.




Spiderbait (2/3rds of anyway.)

Crowd photo 2 + Can Bar.

The Drones.



The Drones are joined by Joel Silbersher (GOD, Hoss) for a rendition of "My Pal", the final song ever played at The Tote.



Crowd Shot 3.

An empty stage.

Meanwhile in the front bar someone programed in an hour of Slayer.

The bar.

Bar Staff say goodbye.

The history.

Final drink at The Tote.

Goodbye my friend.



Postscript: the combined RRR/3CR/PBS broadcast of The Tote's final hours can be found in the 3RRR archives. A video and fantastic article about the significance of My Pal as the last song can be found here. And as if things weren't bad enough, The Arthouse (the first pub I ever played a gig at, a month or two before I played The Tote) has now announced that it will close it's doors next year for much the same reasons. Head on over to Tonedeaf and sign the petition on behalf of Fair Go 4 Live Music so we can stop this before it gets any worse!

Wednesday, 13 January 2010

These Arms Are Gone. :(

This morning I woke up to some sad news. These Arms Are Snakes are no more. TAAS are one of the reasons I always laugh whenever anyone complains about how "there's no good bands these days". You have to dig a bit deeper and find it for yourself but there's great music happening all over the place. All the bands and genres you love were once underrated or unheard of, and if music is a constant evolution TAAS are the next phase. (This analogy would also imply TAAS are the best band ever to exist thus far, a statement I'm not unhappy with.) While TAAS will never be as big as someone like The Beatles and now won't get the respect they deserve in their lifetime, one can only hope that they will continue to gain respect post-demise much like Refused who's The Shape of Punk to Come is now widely recognised as the blueprint for modern hardcore/screamo. These Arms Are Snakes created post-hardcore with intelligence and style. They are the definition of what this music can and should be.

I only got to see them live once, but it was definitely a memorable show. They supported Isis back in 2007 at the Hi-Fi Bar. As much as I enjoy Isis, TAAS are the real reason I went to this show. The power cut out half way through their set, but I was already in love. And as much as I would love to have seen them do a full set, there was something poetic about the rawness and passion of a band like this knocking out the power for the whole venue. The shirt I bought after that show is one of my favourites to this day. (Yes it says "These Horsecocks Are Eels" instead of "These Arms Are Snakes". No, I don't know why. That's kind of why I love it anyway).

The saddest thing about this band ending is we'll never see what could have happened next. These Arms Are Snakes 2006 album Easter was a masterpiece. Absolute perfection as far as I'm concerned. The 2008 follow up Tail Swallower and Dove rightly took a turn in a different direction, experimenting with new ideas for the band which were interesting and exciting, but didn't come together as solidly as Easter. But after two years of touring I can only imagine they would have nailed those styles into place and the next album may well have been their best. I guess now we'll never know. No reason was given for the break-up but hopefully in the same way the break-up of Botch in 2001 spawned both TAAS and Minus the Bear, we will see the members emerge in new projects soon. Their talents are just too good to go to waste.



These Arms Are Snakes
2002 - 2009

2009 Wrap Up Part III: A Year in Live Music

Sometime in 2008 I came across a list someone had made of every gig they'd been to ever. I thought this was a pretty cool idea. But I knew I'd never be able to make one myself for a number of reasons. This person had based their list around ticket stubs and while I keep the stubs from every ticketed gig I go to, so many of the shows I see are local bands with stamps on the wrist, and I would never remember all of these. Nor could I remember all the bands I saw at festivals, or shows my parents took me to when I was younger.

But I decided in 2009 it would be fun to keep track of every gig I went to for the year. So here it is, the definitive list of EVERY band/musical artist I saw perform last year. Not all of these are bands I liked or enjoyed, or even sat through the whole set of, but they are all bands I saw (you can probably assume if I saw them more than once I liked them though).

This is the final post of my 2009 Wrap Up series. I had to wait til the year was over to make this post though because we went to Falls Festival for new years eve so right up until the last minute of 2009 I was watching bands play.

The Surly Mermaids
Kat Frankie
(Northcote Social Club)

Brian Hooper
Nick Cave & The Bad Seeds
(The Palace)

Fabian Toonen
The Silence Engine
The Balls Revolution
We Came to be Robots!
(The Spot)

Fearless Vampire Killers
Jarvis Jay
The Mad Feeling
(East Brunswick Club)

Umlaut (with Mike Patton)
The Melvins
(Ding Dong Lounge)

Digital Primate
Quan
(Northcote Social Club)

Identity Theft
Propagandhi
(The Corner)

Jaguar Love
Nine Inch Nails
(Festival Hall)

Jaguar Love
Straylight Run
Minus the Bear
(Next)

Silverstein
Finch
Jaguar Love
Underoath
Every Time I Die
The Dillinger Escape Plan
36 Crazyfists
From First to Last
Chiodos
Devildriver
Alice in Chains
Nine Inch Nails
(Soundwave, Royal Melbourne Showgrounds)

Lyndon Chester
Zoe Keating
Amanda Palmer (& The Danger Ensemble)
(The Corner)

Deaf Wish
Dan Deacon
Brant Bjork & The Bros
Black Mountain
Mogwai
Of Montreal
You Am I
Jim White & John Doe
Bridezilla
Pivot
Old Crow Medicine Show
My Disco
Quintron & Miss Pussycat
The Church
Tony Allen
The Drones
Gary Numan
(Golden Plains, Meredith Supernatural Amphitheatre)

Wyld Rice
The Balls Revolution
The Good Time Party Band
(The Old Bar)

Fabian & Christina
(The Drunken Poet)

The Lansburys
Push Button Auto
Abdoujaparov
(Old Bar)

Howl At The Moon
Richie 1250 & The Brides Of Christ
The Toot Toot Toots
(Old Bar)

The Assassination Collective
Fait Accompli
Ouch My Face
(The Tote)

The Putbacks
(Laundry)

Video Day
The Good Time Party Band
(The Great Britain)

The Innocent Folk
(Lucy's House)

Matt Bailey
Milk Teddy
Genevive & Jezebel
Cuba is Japan
(The Birmingham)

Signal Hill
The Coralinas
All India Radio
(East Brunswick Club)

Almeria
Seamus Moose
Colour the Sky
Feedback Dancer
(Ruby's Lounge)

Midnight Juggernauts
The Flaming Lips
(Festival Hall)

ITA
(No Vacancy Gallery)

The Innocent Folk
(The Drunken Poet)

Let's Play Adventure
Young Maverick
(Scarlett Lounge)

Fuse
Kaviya
Shoes for Strings
Feedback Dancer
(Noise Bar)

Cockfight Shootout
Regular John
Monster Magnet
(Billboards)

Rincon
Sydonia
Dead Letter Circus
(The Corner)

Yama Boy
Quan
(Newtown Workers Club)

Sore
Agonhymn
Blarke Bayer / Black Widow
Black Cobra
(Arthouse)

The Innocent Folk
The Silence Engine
(Noise Bar)

Fans of Flo
Killing Independent George
(The Tote)

Bloodduster
The Dwarves
(Corner Hotel)

Nick Oliveri
(Northcote Social Club)

The Diamond Sea
Fire! Santa Rosa, Fire!
I Heart Hiroshima
(Northcote Social Club)

Bright Yellow
Ouch My Face
Keith Party
(The Birmingham)

Ray Mann
Tori Amos
(The Regent Theatre)

The Jacknives
Mother and Son
The Toot Toot Toots
(The Old Bar)

Akron/Family
SIA
Patrick Wolf
Tumbleweed
Royal Crown Revue
Yacht
Thee Oh Sees
Why?
Kitty, Daisy & Lewis
Pharaohe Monche
Heavy Trash
Paul Kelly
Animal Collective
Jarvis Cocker
Eddy Current Suppression Ring
Yacht Club Deejays
Kes Band
Wagons
The Middle East
(Meredith Supernatural Amphitheater)

Dirtbird
Cuba is Japan
(Wesley Anne)

Pets for Pets
Beaches
Batrider
Thee Oh Sees
(The Empress)

Philadelphia Grand Jury
King Kahn & The Shrines
Sarah Blasko
Andrew Bird
Liam Finn
Lyrics Born
Rodrigo Y Gabriela
Hayley Couper
Kaki King
Little Red
Chairlift
Urthboy
Future Of The Left
Grizzly Bear
Yeah Yeah Yeahs
(Falls Festival, Marion Bay)