Wednesday, 16 September 2009

Dead Letter Circus, Sydonia, Rincon @ The Corner Hotel, Melbourne (11/09/2009)

Rincon open the night with some big riffing. Soaring vocals are underpinned with chugging guitars, and it’s easy to see why they were chosen for tonight’s support slot. The crowd is still a bit small this early in the night, but those who are here seem pretty attentive and appreciative.

Sydonia start out a little slow, but as their intensity builds they manage to steal the show, in my mind, as most interesting band of the night. I saw Sydonia about three years ago and liked them, but they didn’t make a huge impact. Clearly the years in between have taught them a lot as they now seem tighter and more energetic. As a four piece they beef up their sound with extra percussion played throughout the set by their guitarist and bass player. This adds interesting rhythms to the songs and an oomph to their live sound. A rhythm based song which sees the band joined by members of Dead Letter Circus on additional percussion (including an upturned rubbish bin) is a highlight. They’ve also gathered quite a following since I last saw them, with a dedicated crowd at the front and many punters walking around in Sydonia merch.

Up until this point I’d been wondering how there could be so much room to move in a sold out Corner Hotel. But there’s a massive influx in the 20 minutes between bands and suddenly all is understood. By the time Dead Letter Circus hit the stage it’s hot, hard to move and there’s a mosh pit down the front. They kick things off with a fast pace and the crowd jumps along. DLC have somehow passed me by up to this point. I’ve seen the name around and had a vague idea of the musical style, but tonight is the first time I’ve really heard them. It’s easy to tell I’m in the minority here not just by the size of the crowd, but by how enthusiastically they respond to the band. And it’s also easy to see why.

Once again we’re treated to some soaring vocals and a strong rhythm section, this time with some more atmospheric and melodic guitar work layered over the top. Tracks from a forthcoming album are given an airing, as are tracks from their self-titled EP which are lapped up by the crowd. Disconnect and Apply particularly stands out with singer Kim Benzie grabbing a camcorder to film the crowd as they sing the song’s closing refrain. If I have one suggestion for Dead Letter Circus it’s that they could up their on-stage presence a little, especially when following a band like Sydonia. Only Benzie really interacts with the crowd, while the rest of the band seem a bit still. But this doesn’t bother the audience who more than make up for it with their own energy. Also surprising is that there is no encore, given how excited the crowd are by the end of the set.

Still, a great night all up with strong performances from all three bands. Surely we’ll be hearing from them all a lot more over the coming months.

(Originally published on FasterLouder)

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